I've been seeing a lot of comments and posts in the last couple weeks about GURPS, and a lot of conceptions/misconceptions about the system floating around. I wanted to make a post explaining things from the perspective of someone who runs GURPS habitualy, has written some (unofficial) splat stuff for GURPS, and has played a great deal of other RPGs. Primarily, I want to answer a number of questions I keep seeing pop up about GURPS, some of which are completely valid and some of which seem like common misconceptions.

What does GURPS feel like? What does it excel at? What is it bad at?

The driving force behind GURPS' feeling is cinematic realism. GURPS is not neccessarily a gritty system, though it can be. It's not really a realistic system, either. It's close to both, but what it's trying to hit is that level of realism and grit that you see in well-defined movies or books. GURPS excels at running games like John Wick, The Revenant, The Expanse, Game of Thrones, and so on. It excels at things that are grounded in reality, but aren't entirely based in reality. We all know that John Wick couldn't actually happen, but it certainly feels more realistic than other action movies. Now, GURPS can be a realistic system and a gritty system with some fanagling, but that's not what it is by default, and it's not what it excels at.
GURPS is also a really good choice if you want to run a cohesive game mixing multiple different genres or time periods. Take a look at this image: https://i.imgur.com/wv3eVwC.jpg. Say you saw that awesome piece of art and you wanted to run a game based on it. Alright, well, how much damage does a 5.56 round do to plate armor? That answer is really easy to answer in GURPS, because the entire system is cohesive. Can a fireball blow up a tank? What about a dragon versus a modern aircraft? All easy answers in GURPS. GURPS also does this with good mechanical backing; technically, FATE answers that question, but it does so by making most things essentially the same mechanically.
GURPS is bad at running a number of things. If your game needs to be very cinematic, GURPS isn't a good choice. Can Superman take a tank shot? Yeah, of course he can. Building someone that can take a tank shot in GURPS is not really feasible. In fact, building someone who is better than a man with a .50 cal machine gun in GURPS is not really feasible. Is Superman on the same power level as Batman? Naratively, yes. Mechanically? No. GURPs has little concept of narrative power, only mechanical power, and that can make certain types of games where the narrative power is the important thing feel very bad to play. Don't play GURPS if you really want to prioritize narrative power.
This is not to say that GURPS has no concept of character narratives; it is simply dealt with at character building and grants a mechanical advantage. A character can have disadvantages that grant extra power provided you play them out. These can be physical disadvantages (missing an eye) or mental (such as being a pacifist), as well as some more exotic ones. You can also gain them in play, if, say, you get stabbed in the eye. This gives a great incentive to play a character with narrative problems, but doesn't replace the idea of narrative power quite as ellegantly as some other system; it simply create more multifaceted, human characters than system with no such concept (such as DnD).
GURPS is also bad at running high power level games. Technically, it has suplements for superheroes and master wizards and amazing kung fu fighters. And... it's just not very fun. The rules are really meant for more down-to-earth stuff. The elegance starts breaking down. If you really want to, you can, the rules are there, it's just way more fidly than just using another system.

Does GURPS have a built-in setting?

Yes, it's called Infinite World, but it's honestly not very good unless you want to run something really weird. Practically speaking, the built-in setting for GURPS is the real world. At every step in it's core components, GURPS is attempting to make the system copasetic with reality, and it really excels if you want to run something at least mostly in line with reality. If you stick to reality, GURPS has very few systemic assumptions about what your world looks like other than being like reality. If you start looking into something less defined, like magic or really advanced tech, you're going to have to pick one of the multiple systemic assumptions GURPS gives you access to. Are your spellcasters multitools like DnD wizards, or do they have access to a very small array of spells that they can cast a lot? Is your future cyberpunky, biotechy, star treky, star warsy, etc.? There are defaults for these, but that leads into the next question:

Why are there so many GURPS books?

This is something I see come up a lot. There are a lot of GURPS books. Not small splat books, really big books. You can spend years combing through their library of splat. The important thing to note about this, is that you probably don't need to look at almost any of them. GURPS is not a unified system like Pathfinder, where all the splat books are meant to be compatible with each other and used at the same time, because each has minor modifications. A lot of GURPS splat books aren't really compatible with each other, because they're not meant to be used together. GURPS has one basic component: The Basic Set. Past that, whether you need a book entirely depends on what you want to run. You can really get away with 5-6 books to run pretty much anything in GURPS. To list them briefly:
Basic Set: The core rules of GURPS.
Low Tech: Stuff before the proliferation of guns: Start of History - ~1500AD
High Tech: Stuff after the proliferation of guns: ~1500 AD to modern day
Magic: Running a relatively "normal" fantasy magic system.
Martial Arts: Advanced rules for melee combat.
Gun Fu or Tactical Shooting: Advanced cinematic/realistic shooting, respectively.
These are pretty much all the GURPS books I've wanted my players to use in my time GMing. Per game, though, you really only need a couple books other than Basic Set if you want to run something. If you want to run a martial-focused fantasy game, you need Low Tech and Martial Arts. If you want to run a tactical special forces game in Vietnam, you need High Tech and Tactical Shooting. GURPS works as a series of building blocks that get put together to make a system. If you want to run a certain game, you need to identify what blocks you need, and then put them together. You can use all the books if you want, in the same way you can use all the LEGO blocks in the box if you want, but it's not really what the system is meant for.
When should you buy more splat books? When you want to run a game that requires deeper rules or emulation of another system. If you've been playing for a while, you want to run a horror game, but you don't think the rules in Basic Set are up for it? Don't want to run Call of Cthulhu because you want something GURPS has? Grab Horror. Want to run a really indepth noble social game? Grab Social Engineering. Importantly, there are rules for horror and social engineering in the Basic Set; these books are suplements, not replacements.

Why is GURPS so complicated?

GURPS isn't complicated. It's complex. There's a massive and very important difference in that wording. GURPS has many components, but each component is fundementally simple, can be removed and swapped out if neccessary, and more components can be slotted in if required. One of the reasons I tend to run GURPS a lot is due to how simple and elegant it is in play, because the only person in GURPS who needs to know anything is the GM. If you GM is knowledgeable, he can take almost all the complexity out of the game for the other players. Almost all of my mechanical interactions in GURPS are "What skill do you have for that? Ok, roll it." or "You have Fast-Talk, right? No? OK, just roll me IQ". All the rolls are 3d6. That's pretty much it.
But GURPS combat is complicated? Well, yes. GURPS combat is more complicated than most other systems. GURPS combat is also, paradoxically, quicker than combat in most systems. Why? Because GURPS combat can be incredibly lethal. A good bullet will drop you. A good melee hit will drop you. Combat in GURPS is often over in one or two hits, especially if either party is not wearing full coverage armor or has a major skill differential. You do not spend 10 turns whitling away at the health pool of that fire giant. Combat tends to be complicated because it's important to get it right, and it's important the players feel in control at all times lest they... well, just die. Combat happens infrequently in GURPS and only happens when something is at stake, because nobody wants to risk death for nothing. The biggest combat advantage in GURPS is not mechanical, it's tactical: Recon, ambushes, using your terrain, pushing your advantages and denying theirs. Some combats are practically already over by the time they happen.
I've seen a few people here talk about how limiting they find GURPS because it's hard to create new rules on the fly. I'm not going to say those people have invalid experiences, but I think that perfection can be the enemy of good. Your rules probably aren't going to be as statistically balanced and accurate and so on as the word of god rules, but it really doesn't matter. GURPS strives to have internal consistency, and though it can take a little bit of playing to understand that consistency, you can start effectively creating very detailed mechanics on the fly, because GURPS lets you slot thing in or out quickly and easily. Don't be afraid of creating incorrect rules; at worst, you only have to suffer them for one session, and they're going to be far better than what you can create on the fly in other mechanically backed systems like DnD.

Why, as a GM, would I run or not run GURPS?

Run GURPS if you want to create a system, starting with a framework, and adding things. Run GURPS if you want a system with strong mechanical backing that can be elegant at the right times and detailed at the right times. Run GURPS if you don't like hopping from RPG to RPG and want a single RPG that can encompass all the game ideas you've always wanted to run. Run GURPS if you want a system that reflects cinematic realism, and can be made to reflect true realism with some effort. Run GURPS if you want to mix and match genres. Run GURPS if you want to run really long campaigns with power growth that feels organic and earned. Run GURPS if you want an indepth combat system that feels lethal and tactical. Run GURPS if you want character progression to be flexibe and organic in growth and not have set out builds.
Don't run GURPS if you want the world to mechanically and narratively balance around the characters. Don't run GURPS if you want to run really high power level games. Don't run GURPS if you want to run cinematic games. Don't run GURPS if you want to run a specific setting that there is already an RPG for, play that one instead, it's probably better at that setting. Don't run GURPS if you don't want to buy at least 2-3 books to get your game going. Don't run GURPS if you prefer simple combat. Don't run GURPS if you want "cool" rolls to happen often (3d6 is a very normal distribution). Don't run GURPS if you want your players to create characters in less than a few hours. Don't run GURPS if you want characters to progress disproportionately to the world (1-10 wizard in DnD goes from nobody to a God).
These same arguments apply to the players as well, though in a lesser degree for some. If what I've described sounds fun, seek out a GURPS game (there's an [un]official Discord)! If it sounds horrible, it probably isn't the game for you. Hopefully, in either case, you have a better understanding of the system and why you would or wouldn't want to play it.

Lesser Questions

Does GURPS require a math degree?: No, it's much less mathematically complicated than DnD. If you've played 3.5 Ed. or Pathfinder, it's much less complicated than that. A bit more difficult than 5ed.
Why do GURPS people keep coming out of the woodwork to defend the system? Because we like the system, and most of the times, the criticisms we see are weird to us because they don't at all mesh with our experiences. There are DOZENS OF US!
Are GURPS player primarily old people? No, but they're certainly in the face of the more modern trend of rules-light, narratively driven RPGs. This was the standard once, and WHAT WAS WILL BE.
How do I get into GURPS? Go to the GURPS discord if you're particularly interested https://discord.gg/vk5GtQy. Otherwise, just pick up the Basic Set and one of High Tech or Low Tech, read them, and start running. Seriously, just start running, don't stress the details too much. Get acustomed to the system before buying another five suplements.

Part 3- $BB DD no Meems – FUCK THE MEMES

R/Bujo’s Top Tips on How to Plan When You Have Severe Depression/Impaired Functioning

Hey! So, after the amazing response I got on this post detailing my struggle with planning while severely depressed, I decided to use some extra energy I’ve been having to condense all the answers I got into a master list for easy reference. I was initially just going to make and keep this but then decided that it might be useful to share in case you

didn’t see the initial post and feel this info would help to you, or
did see the post but didn’t have energy or time to read through all the responses.

Feel free to browse the list and see what may work for you if you are in a similar spot.
Things to note:

Some of the advice given here seems to contradict itself (e.g., DO use habit and mood trackers, DON’T use habit and mood trackers) simply because multiple people gave their perspective and some of the things that worked well for some didn’t for others.
I didn’t reference spreads unique to particular people and just focused on the general trends in suggestions – if you want to see descriptions/images of those unique spreads, I’d encourage you to read the original post.
This advice was in the context of my particular situation (which again, you can refer to here) so it might not work for you if you are in a different situation and have different constraints.
Lastly, if you have any ideas that you feel aren’t listed, mention them in the comments. Thank you again for all the support, and enjoy!

WHAT TO FOCUS ON

Prioritize celebrating what you do get done with Done Lists/Tada lists instead of just To Do lists!

Consider ditching traditional habit trackers if you feel they discourage you. If you engage in a positive habit, mark it down! Then you’ll have a total of all the times you did do something instead of a tracker with glaring reminders of when you didn’t.
Aside from habits, write at least one thing you did today, no matter how small (e.g., drank a glass of water)

Track goals in a way that shows what progress you have made even if you didn’t reach the goal

E.g. If your goal was to get to inbox 0, write down the number of emails you did get through even if you didn’t reach 0. Acknowledge progress!

Focus less on productivity or SMART goal setting, and more on taking care of yourself and tasks that contribute to/maintain functioning.

Once you have reached a baseline of functioning again, add goals and tasks outside of this
Have a basic list of tasks you need to do every day that enrich you/are self-care e.g. (medication, hygiene, food and water intake, journaling, fresh air)

Focus on ‘Did I’ goals instead of ‘How Much’ goals (e.g. 'Did I drink water > Did I drink 8 glasses of water?')

The bar for success then becomes when you did something, as opposed to only when you did a certain amount of something.
Can be a good precursor to tracking ‘How Much’ goals once you have reached a point where you are doing the thing consistently.

THE METHOD (SPREADS AND STRUCTURE)

Create simple easy spreads

Low set up time, takes little time to use, and don’t need to be kept up daily
Create/buy stencils of various sized squares, letters or lines that can make the process of setting up a spread easier and faster

Stick to the extreme basics, or the original Ryder Carroll method

Instead of weekly or daily spreads with initial set up, rapid log in your BuJo when you need to (even if that means your entries are scattered across the week or month and don’t have every day accounted for in chronological order)
In this vein, consider avoiding spreads that are dependent on you having accomplished the previous days tasks – this way you can miss days without feeling like that jeopardizes your ability to use the journal.
If relevant, note briefly in your journal skipped days, and why you skipped them.

Use a line a day spread that can give you an overview of your month

one positive line about your day, or
one line about how you were feeling that day

Gamify the structure of you BuJo or self-care tasks
Make it so you earn something if you do your tasks e.g.

in-game ‘points’/XP
a win in a battle/increase in battle statistics
levelling up
real-life rewards

If games are nor your forte, structure it differenlty but implement a reward system to create incentive

create a tree for your habit. Draw it with no leaves. When you do the habit, add a green leaf. If you miss it, add a brown leaf. This way you are incentivized to keep the plant alive and flourishing with more green than brown leaves.
Like with trackers, if you know the brown leaf/green leaf approach might make you fixate on the number of brown leaves (times you didn't do the habit), just focus on adding leaves when you do the habit and when you miss a day or three, don't add anything to the tree. This way the reward is getting to add leaves, and there is no reminder of when you didn't do that habit. Just a beautiful display of when you did!

Use Rolling Weeklies (sometimes called the Alistair Method)

Create an undated master list of tasks to do, keep it in view, and slot them on to do on higher functioning days.

Break down tasks into their smallest manageable increments and tackle those
Instead of ‘do laundry’, break down tasks into:

remove clothes from laundry basket
take clothes to laundry room
put clothes in washing machine and start cycle
remove clothes from washing machine
put clothes in dryehang clothes up to dry
collect dry clothes
fold dry clothes
hang dry clothes

Detach any routines you make from a set time

Focus on establishing the routine before you place it at a specific time or within a specific time frame e.g. do morning routine.
This way you are free to focus on getting into the habit of the routine first without feeling obstructed by having to do it with time in mind. If you do the habit but at varying or inconsistent times, it is then still a success.
Tackle time (when you want it to happen and how long you want it to take) once you have established this.

MENTAL HEALTH RELATED

Track things related to mental health

Start with a few simple basic selfcare things – once the habit is ingrained, add more.
Track mood, symptoms (when they occur, their severity) and try and identify any patters in when and why you may feel how you feel. Also be aware of what coping mechanisms do and don’t work.
If you complete a task while experiencing a symptom, write the symptom on a column on the side of the task – this way you might notice a correlation between a symptom and the tasks you are able to do.
If tracking your mood is too complex (multiple feelings at once) or discouraging (you mark 'sad' every day), stop!

Create a personalized resource on what to do when you feel at your worst (‘When I Feel Like Shit’ list)

Steps to take
Coping mechanisms that work
Self-care you need to keep up on (medication, hygiene, food and water intake)
Bad Thought/Good Thought list (The bad thoughts you are having, and corresponding good thoughts that give a different perspective – consider writing the good thoughts when you are clear headed and feeling good, so that you can reflect on them when you aren’t!)

Track what triggers particularly bad episodes or feelings

This can help you avoid, manage or prepare for the trigger (if it's inevitable)

Create ‘bad day’, ‘okay day’, ‘and ‘good day’ to do lists that correspond with the kind of day you are having

‘Bad day’ – the absolute bare minimum you need to do to take care of yourself
‘Okay day’ – the bare minimum + simple task(s) to get done
‘Good day’ – bare minimum + more tasks that require more energy (might be a good idea to do things that will help you on worse days – meal prep, do biggest cleaning tasks, etc.)

***What would be classified as a bad, okay, and good day is very dependent on your mental health and state of functioning. Some days when I’m really non-functional, a good day is doing the bare minimum. Some days it is just staying alive. So you might categorize this differently than done here!
Forgive yourself for what you don’t or can’t get done – some days are just bad, and that’s okay!
Involve a gratitude practice in your bullet journaling

Doesn't have to be detailed or long - it could be anything from a single word to a couple of sentences. It's a good way of reminding yourself of the bright spots of a particular day.
No standard about what qualifies. If it's that you got through the day, add it!

(Even if you don’t have it) Check ADHD related subs for ideas on how to trick yourself into doing things!

ALTERNATIVES

Focus more on creating a stable routine and less on Bullet journaling and tasks.

Waking up at a specific time
Hygiene (teeth, shower)
Meals
Movement/exercise (even just a walk)
A household chore

Resources and Recommendations

‘Level up your Life’ By Steven Kamb
Zinnia app for creativity and organization
domesticblisters on tiktok gives tips on what to do to keep your life functional cleaning wise
Unf*ck Your Habitat for tips on how to keep your life functional cleaning-wise, with articles on chronic pain, depression, anxiety, and cleaning-related trauma (Content warning for discussion of abuse and trauma)

Part 3- $BB DD no Meems – FUCK THE MEMES

Thoughts/review on Cyberpunk 2077 after 400 hours gameplay.

Firstly, just wanted to say that the 400 hours is me restarting the game...four times over? I've also not been following this game, I knew it was coming out but I put at the back of my mind, never gave into the hype and only bought the game when a guy from work was talking about it.
Gameplay TL;DR:
Game is broken. By level 50, enemies either did 1 damage or buffed me to do more damage. Some of the guns are insanely fun but break the game. It's fun, but if you want a challenging experience wait till some good addons come out.
Story TL;DR
Main story is quite short, it's not effected by any side quests you just get different endings that you can choose, one ending feels more finalised but open to a sequel/DLC the others either just end (which is intented) or just end on a "To be continued."
Romance quests are very good but the romance is just do quest, sleep with them, end of romance, apart from one character.
Some of the side quests are VERY VERY good however and the overall theme of Cyberpunk is in my opinion, excellent, it's just let down by the main plot.
Bugs/Glitches TL;DR:
No crash to desktop, main problems were only for those strange people like myself who play non lethal but some of the endings are bugged, one of the end cut-scenes is bugged.
Overall TL;DR:
I think if you really really want to play this game, play it. I had a lot of fun and got my moneys worth, though I would be lying if I didn't say that I'm not dissapointed with the end product. If you're on the fence and you're reading this to see if it's worth £40-50 then I would say don't get the game, wait till next year when the modding scene has expanded more and all the DLC has come out, get it on a sale.
When the ending cutscene is bugged and after what...3-4 patches and the lead dev has said how proud he is of the PC version, I would say that it's best to hold off.

Gameplay:
I played purely on Very Hard and tried a no kill playthrough which...I couldn't do all the way due to certain sections of the game but for majority of the game I didn't kill anyone. What I liked about the game is that it didn't say "Oh well, you best get used to the taser weapon or the stun gun, because that's all you get!" like so many other FPS RPGs that offer that, I was using shotguns, sniperrifles, assault rifles, SMGs...anything, really. That's good!
My build:
https://nukesdragons.com/cyberpunk-2077/character?v=1&a=if4ig&s=iiifff44iigg&p=h42h83hd1hg2hh1u11u41ua3uh1b13b32b42b72b83b93bc1bd2be2bf2a01a41a62a81a91ab3ah1ai2aj1ak1al2w01w11w31w63w72wa3wb2wc2n01n21n43n73n82na1nc2nf1nh2s51sc1sk1c01c11c42c61c72c82c93ca2cb1cc1cf2r32e62eb2eh2ei1 If/When I replay, it will either be:
https://nukesdragons.com/cyberpunk-2077/character?v=1&a=a9kck&s=111999kkcckk&p=p02p11p21p32p42p51p61p72p81p91pj1pa1pb1pc2pd2pe2pf2pg2ph1pi1q01q12q23q41q51q63q71q81q93qa3qb3qd2qe1qf3qi1aa1ab3af3s31sa1sb1se2sf1si2sj1c01c11c32c51c61c82c93cb1cc1cf2cg2ch1ci1eh2
I did make my gear and I put all epic armour increasing mods into the slots, then with my weapons all epic crit chance or if they had 100% crit by default, Crit damage. I used Qiant Sandevistan which would slow down time and lowered the CD on it so I could use it every 19 seconds.
To put this into perspective of how this was at level 50, the most damage done to me was the end boss and it was about...20-30 damage, other than that, everything was 1 damage. With Katana and Cold Blood I had about 14-15k armour, with just the Katana it was about 6k and with any other gun it was 5k armour. I got this by upgrading everything to as far as the game would allow which when you hit 50 is just one extra upgrade. My health thanks to the consumable perk and health perk was about 850 to 1k with all consumables. My Cyberware made me immune to bleeding, my perk made me immune to poision, if I took shock damage my armour would increase by 10% and I would take no damage and fire would increase my damage by 10%.
So...I took 1 damage with a 800+ health pool, I could kill everything very easily dealing about 24k damage on some enemies and I could slow down time and kill everything before they could even react. This is on VERY HARD.
"Why complain about it being broken if you broke it?"
Because I was told that the secret ending was very difficult and I was also told, by the game, that in very hard, you have to use EVERYTHING to survive. The problem is the game devs...for some reason...lets you out level all the mobs in the game, at level 50 the only "yellow" enemies were two mechs on the secret ending and the end boss, all of which died super quick anyway because the damage is broken.
The other problems I had and the other reason I hit 50 was I was told "Do the sidequests, they effect the ending." and with the Cyberpsycho being all about keeping them alive, I thought "There's gotta be a moment where she comes in and helps me or someone out." But...nope, you don't get anything other than money. Nothing happened when I did all the police side quests, nothing happened when I did all the races, the only quests that did matter were two side quest chains, Panam and Johnny...maybe the boxing ones.
"But you get tons of cash!"
If you go down the hacker route, it's kinda pointless because you get all your hacks via crafting or random drops from terminals.
"Ah! But you went guns blazing, all guns, must've cost a ton to get all your armour up, weapons and ammo!"
Afraid not. Once you get the epic grenade blueprints you can make your set for a lot of your upgrades, you just buy cans of soda from vending machines and take them apart which doesn't cost that much anyway. The legendaries are a bit difficult, granted and that's why I said the boxing quest chain is actually very useful if you want to play a non hacker route.
Outside of upgrades once you get any weapon mod and the perk that grants a 20% chance to get an extra item when you make gear, you're set as they all use the materials you get from soda cans or random junk items.
General view
I suppose when it's all said and done, I can't say I didn't enjoy the gameplay. I played 400 hours of it. It is to easy and if I wanted to do a "All guns blazing" build again, maybe just stick to epic gear. If we get a new game plus or some difficulty mods that would be perfect, something like enemies using tech weapons more to shoot through walls, more smart weapons hitting you behind cover, more netrunners hacking you all the time and having them stun/blind you or something, just anything other than setting you on fire...a cyberware mod makes them buff you for crying out loud.
One of the main reasons I went the gunner route was because I saw so many great guns I thought, at the time, I couldn't use so...I will say that with my build, all the guns I had, it was a lot of fun, I really really enjoyed it...it's just far far to easy, I wanted something to say "Ok, you think you got this, let's put it to the test!"
Story:
I didn't really know all that much about Cyberpunk coming in, I love Bladerunner and Ghost in the shell, distopian stories where it has a message and hopefully a nice ending.
Cyberpunks story was good, there are some side quests that I will remember, I won't say which ones but I will say that if you like story, it's good to pick them up. There aren't that many of them, a lot of side quest will be just "Kill the dude. Steal the thing. Hack the thing." with a text being sent to you on why you should care, most of the time I didn't really care all that much but those that did offer something a bit more, did make me pause and think about it, even think about them as I walked away from the game on what was the "best" option.
The romances are...ok. There is certainly more effort in Panam than the others, who, do have their own quest lines and they're the best quest lines in the game but Panam, as a romance story line does seem more fleshed out. The others are sadly very much a "Do my quests, then do me, ok see you at the end of the game!" Panam fights alongside you, you both go on a big character journey together and the fact she joins you in one of the best endings says a lot. A bit dissapointing for me, as I liked Judy and one of her endings was very nice but when I saw what Panam got...argh, was frustrating.
The main plot itself is unfinished. If you can be bothered (like I was) do all the side quests, everything, then do the main plot. Not only will you find that during your time the main plot is very short only about...10-15 quests? Of which none of the side quests you can do effect them, at all, no dialogue options that I could see, none of them alter the story a bit...nothing. The endings aren't effected by sidequests either, you get extra endings, two if you do two side quests but that's it.
I won't spoil what the endings contain, but I will say, for the sake of saving your time if you're reading this before doing them, that the secret ending is pointless and lazy. It's basically one of the endings but they removed the NPC's from the ending and just spawn some mechs, then after that you get the same boss fight you would get regardless of the ending and then you get a rehashed ending of another ending and an epilogue from another ending. Basically they just took apart the endings and stuck them together to get the "Secret" ending, you get about...a few bits of dialogue from a character but...it's not that great honestly.
The biggest problem is this is a "The ending will be in the DLC!" kinda game, where, even the main character points out how pointless the whole thing was. I HATE these kind of endings, the only saving grace is that...I HOPE, this is going to be in the free DLC they're doing this year.
Glitches and Bugs:
At this point in time, I came across TONS of bugs. Nothing that crashed me to desktop par once (which is a deal breaker for me if it happens to many times) the only issue I did come across was playing non lethal, where, if you grab a enemy and drop them during stealth...for some reason, they are more prone to glitching and exploding in a bloody mess. If you stand and drop them, make sure the ground is as flat as it can be, you might, MIGHT be ok. The other thing to do is enemies would show the death animation (no breathing) BUT if you pick them up, drop them, turn around, sometimes the animation will change to show they're still alive. If you hit them whilst they're on the ground, even if it's a stungrenade touching them, yes, touching, not exploding, you throw a grenade at them and it bounces off of them, they die.
Cars would smash into concrete, textures would take ages to load, sound would be to loud from time to time, some dialogue had the tech distorted effect some didn't, Tech guns randomly not charging up to shoot...all of which I could ignore as they either didn't effect me to much, I could fix by saving the game and reloading or were just funny.
When the endings are bugged, that to me is very different and that's what made me go from "This is one of the best games I've played!" to "They just stop caring."
So during the "Bad" ending, dialogue wouldn't play I just saw text, I had to reload a save to make it work. On the "Good" ending, during a quest I was told to drive a vehicle and then park it in a tent, the only problem is I couldn't do it because an invisible wall was blocking it and I would just flip over, I couldn't get out to continue the quest or fail it, but luckily you can skip it. Then on the "Good" ending, on the very last cutscene I drove into the sunset...literally into the sunset as the Vehicle was driving on the skybox.
When you haven't even tested the ending, worse, you say "We're proud of our PC version!" it's such a slap in the face, yes, I'm sure these will be fixed...I hope, but I don't want games in the future to be like this, I want a finished game, certainly if you're asking £40 for it. The free DLC better be something decent and not "Paint your car!" but either way, the damage has been done and it's a real real shame. This game deserved to be polished, it has so much potential and there's so much to like here it's just sad to see it be this...messy and uncared for.
Overall:
400 hours of gameplay, do I regret it? ...No? I mean, I've come away disappointed because of how bad some of the flaws are, more so with the lead dev saying how proud he is of the PC version but...I would be lying if I didn't say that if they brought out new game plus, there was some mods that made the game a lot harder...I wouldn't go back.
I will play Male V romancing Panam as I have a very strong feeling that's the "intended" storyline and though my choices won't matter in the end, there would be some things I would do differently. I did enjoy my playthrough, I like Judy as a character I just wished I could do more, like...something as simple as hang out on her couch and watch TV with her would've been fine, doesn't have to be grand and epic, just simple character interactions...which you get through quests with Panam.
Could I recommend this game to others though? Not really...If the glitches and bugs was just the odd here and there, ok, fine, it's an open world game with amazing graphics, sure, you will get some problems..but when your endings are bugged? Nah, it's not acceptable.
Maybe some people can look past it, I would like to but I just feel...like a chump. Here's hoping it gets better, they did say they were working on it more and didn't find it acceptable but...not sure if that's just console, we'll see.

Old Austin Tales: Forgotten Video Arcades of The 1970s & 80s

In the late 1980s and early 1990s when I was a young teen growing up in far North Austin, it was a popular custom for many boys in the neighborhood to assemble at the local Stop-N-Go after school on a regular basis for some Grand Champion level tournaments in Street Fighter 2 and Mortal Kombat. The collective insistence of our mothers and fathers to get out of the house, get some exercise, and refrain from playing NES or Sega on the television only led us to seek out more video games at the convenience store down the road. Much allowance and lunch money was spent as well as hours that should have been devoted to homework among the 8 or 9 regular boys in attendance, often challenging each other to 'Best of 5' matches. I myself played Dhalsim and SubZero, and not very well, so I rarely ever made it to the 5th match. The store workers frequently kicked us out for the day only to have us return when they weren't working the counter anymore if not the next day.
There is something about that which has been lost in the present day. While people can today download the latest games on Steam or PSN or in the app store on your smartphone, you can't just find arcade games in stores and restaurants like you used to be able to. And so the fun of a spontaneous 8 or 10 person multiplayer video game tournament has been confined to places like bars, pool halls, Pinballz or Dave&Busters.
But in truth it was that ubiquity of arcade video games, how you could find them in any old 7-11 or Laundromat, which is what killed the original arcades of the early 1980s before the Great Crash of 1983 when home video game consoles started to catch up to what you saw in the arcade.
I was born in the mid 1970s so I missed out on Pong. I was kindergarten age when the Golden Age of Arcade Games took place in the early 1980s. There used to be a place called Skateworld on Anderson Mill Road that was primarily for roller skating but had a respectable arcade in its own right. It was there that I honed my skills on the original Tron, Pac Man, Galaga, Pole Position, Defender, and so many others. In the 1980s I remember visiting all the same mall arcades as others in my age group. There was Aladdin's Castle in Barton Creek Mall, The Gold Mine in Highland, and another Gold Mine in Northcross which was eventually renamed Tilt. Westgate Mall also had an arcade but being a north austin kid I never went there until later in the mid 1990s. There were also places like Malibu Grand Prix and Showbiz Pizza and Chuck-E-Cheeze, all of which had fairly large arcades for kids which were the secondary attraction.
If you're of a certain age you will remember Einsteins and LeFun on the Drag. They were there for a few decades going back way before the Slacker era. Lesser known is that the UT Student Union basement used to have an arcade that was comparable to either or both of those places. Back in the pre-9/11 days it was much easier to sneak in if you even vaguely looked like you could be a UT student.
But there was another place I was too young to have experienced called Smitty's up further north on 183 at Lake Creek in the early 1980s. I never got to go there but I always heard about it from older kids at the time. It was supposed to have been two stories of wall to wall games with a small snack bar. I guess at the time it served a mostly older teen crowd from Westwood High School and for that reason younger kids my age weren't having birthday parties there. It wasn't around very long, just a few years during the Golden Age of Arcades.
It is with almost-forgotten early arcades like that in mind that I wanted to share with y'all some examples of places from The Golden Age of the Video Arcade in Austin using some old Statesman articles I've found. Maybe someone of a certain age on here will remember them. I was curious what they were like, having missed out by being slightly too young to have experienced most of them first hand. I also wanted to see the original reaction to them in the press. I had a feeling there was some pushback from school/parent/civic groups on these facilities showing up in neighborhood strip malls or next to schools, and I was right to suspect. But I'm getting ahead of myself. First let's list off some places of interest. Be sure to speak up if you remember going to any of these, even if it was just for some other kid's birthday party. Unfortunately some of the only mentions about a place are reports of a crime being committed there, such as our first few examples.
Forgotten Arcade #1
Fun House/Play Time Arcade - 2820 Guadalupe
June 15, 1975

ARCADE ENTHUSIASM
A gang fight involving 20 30 people erupted early Saturday morning in front of an arcade on Guadalupe Street. The owner of the Fun House Arcade at 282J Guadalupe told police pool cues, lug wrenches, fists and a shotgun were displayed during the flurry. Police are unsure what started the fisticuffs, but one witness at the scene said it pitted Chicanos against Anglos. During the fight the owner of the arcade said a green car stopped at the side of the arcade and witnesses reported the barrel of a shotgun sticking out. The crowd wisely scattered and only a 23-year-old man was left lying on the ground. He told police he doesn't know what happened.

March 3, 1976

ARCADE ROBBED
A former employee of Play Time Arcade, 2820 Guadalupe, was charged Tuesday in connection with the Tuesday afternoon robbery of his former business. Police have issued a warrant for the arrest of Ronnie Magee, 22, of 1009 Aggie Lane, Apt. 306. Arcade attendant Sam Garner said he had played pool with the suspect an hour before the robbery. He told police the man had been fired from the business two weeks earlier. Police said a man walked in the arcade about 2:45 p m. with a blue steel pistol and took $180. Magee is charged with first degree aggravated robbery. Bond was set on the charge at $15,000.

First it was called Fun House and then renamed Play Time a year later. I'm not sure what kind of arcade games beyond Pong and maybe Asteroids they could have had at this place. The peak of the Pinball craze was supposed to be around 1979, so they might have had a few pinball machines as well. A quick search of youtube will show you a few examples of 1976 video games like Death Race. The location is next to Ken's Donuts where PokeBowl is today where the old Baskin Robbins location was for many years.
Forgotten Arcade #2
Green Goth - 1121 Springdale Road
May 15, 1984

A 23-year-old man pleaded guilty Monday to a January 1983 murder in East Austin and was sentenced to 15 years in prison. Jim Crowell Jr. of Austin admitted shooting 17-year-old Anthony Rodriguez in the chest with a shotgun after the two argued outside the Green Goth, a games arcade at 1121 Springdale Road, on Jan. 23, 1983. Crowell had argued with Rodriguez and a friend of Rodriguez at the arcade, police said. Crowell then went to his house, got a shotgun and returned to the arcade, witnesses said. When the two friends left the arcade, Rodriguez was shot Several weeks ago Crowell had reached a plea bargain with prosecutors for an eight-year prison term, but District Judge Bob Perkins would not accept the sentence, saying it was shorter than sentences in similar cases. After further plea bargaining, Crowell accepted the 15-year prison sentence.

I can't find anything else on Green Goth except reports about this incident with a murder there. There is at least one other report from 1983 around the time of Crowell's arrest that also refer to it as an arcade but reports the manager said the argument started over a game of pool. It's possible this place might have been more known for pool.
Forgotten Arcades #3 & #4
Games, Etc. - 1302 S. First St
Muther's Arcade - 2532 Guadalupe St
August 23, 1983

Losing the magic touch - Video Arcades have trouble winning the money game
It was going to be so easy for Lawrence Villegas, a video game junkie who thought he could make a fast buck by opening up an arcade where kids could plunk down an endless supply of quarters to play Pac-Man, Space Invaders and Asteroids. Villegas got together with a few friends, purchased about 30 video games and opened Games, Etc. at 1302 S. First St in 1980. .,--.... For a while, things, went great Kids waited in line to spend their money to drive race cars, slay dragons and save the universe.
AT THE BEGINNING of 1982, however, the bottom fell out, and Villegas' revenues fell from $400 a week to $25. Today, Games, Etc. is vacant Villegas, 30, who is now working for his parents at Tony's Tortilla Factory, hasn't decided what he'll do with the building. "I was hooked on Asteroids, and I opened the business to get other people hooked, too," Villegas said. "But people started getting bored, and it wasn't worth keeping the place open. In the end, I sold some machines for so little it made me sick."
VILLEGAS ISNT the only video game operator to experience hard times, video game manufacturers and distributors 'It used to be fairly common to get $300 a week from a machine. Now we rarely get more than $100 .
Pac-Man's a lost cause. Six months ago, you could resell a Pac-Man machine for $1,600. Now, you're lucky to get $950 if you can find a buyer." Ronnie Roark says. In the past year, business has dropped 25 percent to 65 percent throughout the country, they say. Most predict business will get even worse before the market stabilizes. Video game manufacturers and operators say there are several reasons for the sharp and rapid decline: Many video games can now be played at home on television, so there's no reason to go to an arcade. The novelty of video games has worn off. It has been more than a decade since the first ones hit the market The decline can be traced directly to oversaturation or the market arcade owners say. The number of games in Austin has quadrupled since 1981, and it's not uncommon to see them in coin-operated laundries, convenience stores and restaurants.
WITH SO MANY games to choose from, local operators say, Austinites be came bored. Arcades still take in thousands of dollars each week, but managers and owners say most of the money is going to a select group of newer games, while dozens of others sit idle.
"After awhile, they all seem the same," said Dan Moyed, 22, as he relaxed at Muther's Arcade at 2532 Guadalupe St "You get to know what the game is going to do before it does. You can play without even thinking about it" Arcade owners say that that, in a nutshell, is why the market is stagnating.
IN THE PAST 18 months, Ronnie Roark, owner of the Back Room at 2015 E. Riverside Drive, said his video business has dropped 65 to 75 percent Roark, . who supplied about 160 video games to several Austin bars and arcades, said the instant success of the games is what led to their demise. "The technology is not keeping up with people's demand for change," said Roark, who bought his first video game in 1972. "The average game is popular for two or three months. We're sending back games that are less than five months old."
Roark said the market began dropping in March 1982 and has been declining steadily ever since. "The drop started before University of Texas students left for the summer in 1982," Roark said. "We expected a 25 percent drop in business, and we got that, and more. It's never really picked up since then. - "It used to be fairly common to get $300 a week from a machine. Now we rarely get more than $100. 1 was shocked when I looked over my books and saw how much things had dropped."
TO COMBAT THE slump, Roark said, he and some arcade owners last year cut the price of playing. Even that didn't help, he said. Old favorites, such as Pac-Man, which once took in hundreds of dollars each week, he said, now make less than $3 each. "Pac-Man's a lost cause," he said. "Six months ago, you could resell a Pac-Man machine for $1,600. Now, you're lucky to get $950 if you can find a buyer." Hardest hit by the slump are the owners of the machines, who pay $3,500 to $5,000 for new products and split the proceeds with the businesses that house them.
SALEM JOSEPH, owner of Austin Amusement and Vending Co., said his business is off 40 percent in the past year. Worse yet, some of his customers began returning their machines, and he's having a hard time putting them back in service. "Two years ago, a machine would generate enough money to pay for itself in six months,' said Joseph, who supplies about 250 games to arcades. "Now that same machine takes 18 months to pay for itself." As a result, Joseph said, he'll buy fewer than 15 new machines this year, down from the 30 to 50 he used to buy. And about 50 machines are sitting idle in his warehouse.
"I get calls every day from people who want to sell me their machines," Joseph said. "But I can't buy them. The manufacturers won't buy them from me." ARCADE OWNERS and game manufacturers hope the advent of laser disc video games will buoy the market Don Osborne, vice president of marketing for Atari, one of the largest manufacturers of video games, said he expects laser disc games to bring a 25 percent increase in revenues next year. The new games are programmed to give players choices that may affect the outcome of the game, Os borne said. "Like the record and movie industries, the video game industry is dependent on products that stimulate the imagination," Osborne said "One of the reasons we're in a valley is that we weren't coming up with those kinds of products."
THE FIRST of the laser dis games, Dragonslayer and Star Wan hit the market about two months ago. Noel Kerns, assistant manager of The Gold Mine Arcade in Northcross Mall, says the new games are responsible for a $l,000-a-week increase in revenues. Still, Kerns said, the Gold Mine' total sales are down 20 percent iron last summer. However, he remain optimistic about the future of the video game industry. "Where else can you come out of the rain and drive a Formula One race car or save the universe?" hi asked.
Others aren't so optimistic. Roark predicted the slump will force half of all operators out of business and will last two more years. "Right now, we've got a great sup ply and almost no demand," Roark said. "That's going to have to change before things get- significantly better."

Well there is a lot to take from that long article, among other things, that the author confused "Dragonslayer" with "Dragon's Lair". I lol'd.
Anyone who has been to Emo's East, formerly known as The Back Room, knows they have arcade games and pool, but it's mostly closed when there isn't a show. That shouldn't count as an arcade, even though the former owner Ronnie Roark was apparently one of the top suppliers of cabinet games to the area during the Golden Era. Any pool hall probably had a few arcade games at the time, too, but that's not the same as being an arcade.
We also learn from the same article of two forgotten arcades: Muthers at 2522 Guadalupe where today there is a Mediterranean food restaurant, and another called Games, Etc. at 1302 S.First that today is the site of an El Mercado restaurant. But the article is mostly about showing us how bad the effects were from the crash at the end of the Golden Era. It was very hard for the early arcades to survive with increasing competition from home game consoles and personal computers, and the proliferation of the games into stores and restaurants.
Forgotten Arcades #5 #6 & #7
Computer Madness - 2414 S. Lamar Blvd.
Electronic Encounters - 1701 W Ben White Blvd (Southwood Mall)
The Outer Limits Amusements Center - 1409 W. Oltorf
March 4, 1982

'Quartermania' stalks South Austin
School officials, parents worried about effects of video games
A fear Is haunting the video game business. "We call it 'quartermania.' That's fear of running out of quarters," said Steve Stackable, co-owner of Computer Madness, a video game and foosball arcade at 2414 S. Lamar Blvd. The "quartermania" fear extends to South Austin households and schools, as well. There it's a fear of students running out of lunch money and classes to play the games. Local school officials and Austin police are monitoring the craze. They're concerned that computer hotspots could become undesirable "hangouts" for students, or that truancy could increase because students (high-school age and younger) will skip school to defend their galaxies against The Tempest.
So far police fears have not been substantiated. Department spokesmen say that although more than half the burglaries in the city are committed by juveniles during the daytime, they know of no connection between the break-ins and kids trying to feed their video habit But school and parental worries about misspent time and money continue. The public outcry in September 1980 against proposals to put electronic game arcades near two South Austin schools helped persuade city officials to reject the applications. One proposed location was near Barton Hills Elementary School. The other was South Ridge Plaza at William Cannon Drive and South First Street across from Bedlchek Junior High School.
Bedichek principal B.G. Henry said he spoke against the arcade because "of the potential attraction it had for our kids. I personally feel kids are so drawn to these things, that It might encourage them to leave the school building and play hookey. Those things have so much compulsion, kids are drawn to them like a magnet Kids can get addicted to them and throw away money, maybe their lunch money. I'm not against the video games. They may be beneficial with eye-hand coordination or even with mathematics, but when you mix the video games during school hours and near school buildings, you might be asking for problems you don't need."
A contingent from nearby Pleasant Hill Elementary School joined Bedichek in the fight back in 1980, although principal Kay Beyer said she received her first formal call about the games last Week from a mother complaining that her child was spending lunch money on them. Beyer added that no truancy problems have been related to video game-playing at a nearby 7-11 store. Allen Poehl, amusement game coordinator for Austin's 7-11 stores, said company policy rules out any game-playing by school-age youth during school hours. Fulmore Junior High principal Bill Armentrout said he is working closely with operators of a nearby 7-1 1 store to make sure their policy is enforced.
The convenience store itself, and not necessarily the video games, is a drawing card for older students and drop-outs, Armentrout said. Porter Junior High principal Marjorie Ball said that while video games aren't a big cause of truancy, "the money (spent on the games) is a big factor." Ball said she has made arrangements with nearby businesses to call the school it students are playing the games during school hours. "My concern is that kids are basically unsupervised, especially at the 24-hour grocery stores. That's a late hour for kids to be out. I would like to see them (games) unplugged at 10 p.m.," adds Joslin Elementary principal Wayne Rider.
Several proprietors of video game hot-spots say they sympathize with the concerns of parents and school officials. No one under 18 is admitted without a parent to Chuck E. Cheese's Pizza Time Theatre at 4211 S. Lamar. That rule, says night manager David Dunagan, "keeps it from being a high school hangout. This is a family place." Jerry Zollar, owner of J.J. Subs in West Wood Shopping Center on Bee Cave Road, rewards the A's on the report cards of Eanes school district students with free video games. "It's kind of a community thing we do in a different way. I've heard from both teachers and parents . . . they thought this was a good idea," said Zollar.
Electronic Encounters in Southwood Mall last year was renovated into a brightly lit arcade. "We're trying to get away from the dark, barroom-type place. We want this to be a place for family entertainment We won't let kids stay here during school hours without a written note from their parents, and we're pretty strict about that," said manager Kelly Roberts. Joyce Houston, who manages The Outer Limits amusements center at 1409 W. Oltorf St. along with her husband, said, "I wouldn't let my children go into some of the arcades I've visited. I'm a concerned parent, too. We wanted a place where the whole family could come and enjoy themselves."

Well you can see which way the tone of all these articles is going. There were some crimes committed at some arcades but all of them tended to have a negative reputation for various reasons. Parents and teachers were very skeptical of the arcades being in the neighborhoods to the point of petitioning the City Government to restrict them. Three arcades are mentioned besides Chuck-E-Cheese. Electronic Encounters in Southwood Mall, The Outer Limits amusements center at 1409 W. Oltorf, and Computer Madness, a "video game and foosball arcade" at 2414 S. Lamar Blvd.
Forgotten Arcade #8
Smitty's Galaxy of Games - Lake Creek Parkway
February 25, 1982

Arcades fighting negative image
Video games have swept across America, and Williamson and Travis counties have not been immune. In a two-part series, Neighbor examines the effects the coin-operated machines have had on suburban and small-town life.
Cities have outlawed them, religious leaders have denounced them and distraught mothers have lost countless children to their voracious appetites. And still they march on, stronger and more numerous than before. A new disease? Maybe. A wave of invading aliens from outer space? On occasion. A new type of addiction? Certainly. The culprit? Video games. Although the electronic game explosion has been mushrooming throughout the nation's urban areas for the past few years, its rippling effects have just recently been felt in the suburban fringes of North Austin and Williamson County.
In the past year, at least seven arcades armed with dozens of neon quarter-snatchers have sprung up to lure teens with thundering noises and thousands of flashing seek-and-destroy commands. Critics say arcades are dens of iniquity where children fall prey to the evils of gambling. But arcade owners say something entirely different. "Everybody fights them (arcades), they think they are a haven for drug addicts. It's just not true," said Larry Grant of Austin, who opened Eagle's Nest Fun and Games on North Austin Avenue in Georgetown last September. "These kids are great" Grant said the gameroom "gives teenagers a place to come. Some only play the games and some only talk.
In Georgetown, if you're from the high school, this is it." He said he's had very few disturbances, and asks "undesirables" to leave. "We've had a couple of rowdies. That's why I don't have any pool tables they tend to attract that type of crowd," Grant said.
Providing a place for teens to congregate was also the reason behind Ron and Carol Smith's decision to open Smitty's Galaxy of Games on Lake Creek Parkway at the entrance to Anderson Mill. "We have three teenage sons, and as soon as the oldest could drive, it became immediately apparent that there was no place to go around here," said Ron, an IBM employee who lives in Spicewood at Balcones. "This prompted us to want to open something." The business, which opened in August, has been a huge success with both parents and youngsters. "Hundreds of parents have come to check out our establishment before allowing their children to come, and what they see is a clean, safe environment managed by adults and parents," Ron said. "We've developed an outstanding rapport with the community." Video arcades "have a reputation that we have to fight," said Carol.
Kathy McCoy of Georgetown, who last October opened Krazy Korner on Willis Street in Leander, agrees. "We've got a real good group of kids," she said. "There's no violence, no nothing. Parents can always find their kids at Krazy Korner."
While all the arcade owners contacted reported that business is healthy, if not necessarily lucrative, it's not as easy for video entrepreneurs to turn a profit as one might imagine. A sizeable investment is required. Ron Smith paid between $2,800 and $5,000 for each of the 30 electronic diversions at his gameroom.
Grant said his average video game grosses about $50 a week, and his "absolute worst" game, Armor Attack, only $20 a week. The top machines (Defender and Pac-Man) can suck in an easy $125 a week. That's a lot of quarters, 500 to be exact but the Eagle's Nest and Krazy Korner pass half of them on to Neelley Vending Company of Austin which rents them their machines. "At 25 cents a shot, it takes an awful lot of people to pay the bills," said Tom Hatfield, district manager for Neelley.
He added that an owner's personality and the arcade's location can make or break the venture. The game parlor must be run "by an understanding person, someone with patience," Hatfield said. "They cannot be too demanding on the kids, yet they can't let them run all over them." And they must be located in a spot "with lots of foot traffic," such as a shopping center or near a good restaurant, he said. "And being close to a school really helps." "Video games are going to be here permanently, but we're going to see some operations not going because of the competition," which includes machines in virtually every convenience store and supermarket, Hatfield said.

This article talks about three arcades. One in Georgetown called Eagles Nest, another in Leander called Krazy Korner, and a third called Smitty's Galaxy of Games on Lake Creek Parkway "on the fringes of North Austin". This is the one I remember the older kids talking about when I was a little kid. There was once a movie theater across the street from the Westwood High School football stadium and behind that was Smitty's. Today I think the building was bulldozed long ago and the space is part of the expanded onramp to 183 today. Eventually another unrelated arcade was built next to the theater that became Alamo Lakeline. It was another site of some unrecorded epic Street Fighter 2 and Mortal Kombat tournaments in the 90s.
But the article written before the end of the Golden Era tell us much about the pushback I was talking about earlier. Early arcades were seen as "dirty" places in some circles, and the owners of the arcades in Williamson County had to stress how "clean" their establishments were. This other article from a couple of weeks later tells of how area school officials weren't worried about video games and tells us more arcades in Round Rock and Cedar Park. Apparently the end of the golden age lasted a bit longer than usual in this area.
At some point in the next few years the bubble burst, and places like Smitty's were gone by the late 80s. But the distributors quoted earlier were right that arcade games weren't going completely away. In the mid 1980s LeFun opened up next in the Scientology building at 2200 Guadalupe on the drag. Down a few doors past what used be a coffee shop and a CVS was Einsteins Arcade. Both of those survived into the 21st century. I remember the last time I was at Einsteins I got my ass beat in Tekken by a kid half my age. heheh
That's all for today. There were no Bonus Pics in the UT archive of arcades (other than the classical architectural definition). I wanted to pass on some Bonus newspaper articles (remember to click and zoom in with the buttons on the right to read) about Austin arcades anyway but first a small story.
I mentioned earlier the secret of the UT Student Union. I have no idea what it looks like now but in the 90s there was a sizable arcade in with the bowling alley in the basement. Back in 1994 when I used to sneak in, they featured this bizarre early attempt at virtual reality games. I found an old Michael Barnes Statesman article about it dated February 11, 1994. Some highlights:

Hundreds of students and curiosity-seekers lined up at the University of Texas Union to play three to five minutes of Dactyl Nightmare, Flying Aces or V-Tol, three-dimensional games from Kramer Entertainment. Nasty weather delayed the unloading of four huge trunks containing the machines, which resemble low pulpits. Still, players waited intently for a chance to shoot down a fighter jet, operate a tilt-wing Harrier or tangle with a pterodactyl. Today, tickets will go on sale in the Texas Union lobby at 11:30 a.m. for playing slots between noon and 6 p.m.
Players, fitted with full helmets, throttles and power packs, stood on shiny gray and yellow platforms surrounded by a circular guard rail. Seen behind the helmet's goggles were computer simulated landscapes, not unlike the most sophisticated video games, with controls and enemies viewed in deep space. "You're on a platform waiting to fight a human figure," said Jeff Vaughn, 19, of Dactyl Nightmare. "A pterodactyl swoops down and tries to pick you up. You have to fight it off. You are in the space and can see your own body and all around you. But if you try to walk, you have to use that joy stick to get around."
"I let the pterodactyl carry me away so I could look down and scan the board," said Tom Bowen of the same game. "That was the way I found out where the other player was." "Yeah, it's cool just to stand there and not do anything," Vaughn said. The mostly young, mostly male crowd included the usual gaming fanatics, looking haggard and tense behind glasses and beards. A smattering of women and children also pressed forward in a line that snaked past the lobby and into the Union's retail shops.
"I don't know why more women don't play. Maybe because the games are so violent," said Jennifer Webb, 24, a psychology major whose poor eyesight kept her from becoming a fighter pilot in real life. "If the Air Force won't take me, virtual reality will." "They use stereo optics moving at something like 60 frames a second," said computer science major Alex Aquila, 19. "The images are still pretty blocky. But once you play it, you'll want to play it again and again." With such demand for virtual reality, some gamesters wondered why an Austin video arcade has not invested in at least one machine.

The gameplay looked like this.
Bonus Article #1 - "Video fans play for own reasons" (Malibu Grand Prix) - March 11, 1982
Bonus Article #2 - "Pac-Man Cartridge Piques Interest" - April 13, 1982
Bonus Article #3 - "Video Games Fail Consumer" - January 29, 1984
Bonus Article #4 - "Nintendoholics/Modems Unite" - January 25, 1989
Bonus Article #5 and pt 2 "Two girls missing for a night found at arcade" (truly dedicated young gamers) - August 7, 2003

Learn from my mistakes. I got a job, but it took me a year, 1100+ applications, and failing 11 final interviews. Here is what you don't do while job searching.

Sure, there are plenty of posts from people who applied to a job and got an offer 30 seconds later. Good for them. But if you're on this sub, you're probably running into more difficulty. I did. Job hunting these days is inherently pretty hard, but there are plenty of things I did wrong during my job hunt that could have saved me time and trouble. I'm a 35 year old in product marketing in the bay area, so this advice may or may not apply to you.
Most of this advice is not new, you may have seen it elsewhere. Well, HEED MY WORDS! You should take that advice.
Here are my don'ts of job hunting:
e: Here's the real #1 piece of advice because someone brought it up in the comments: Don't Not Have A Network. The main reason I had such a hard time was I moved to a new city where I didn't have a professional relationship with ANYONE. I think if you're applying without a friend on the inside, it reduces your odds by 80-90%, based on random factoids we've all seen that say 80% of jobs are never posted publicly.
I went to networking events and coffee meetups and blah blah blah, but COVID put a stop to that before I could make much progress. The biggest piece of advice (by far) is just to have a friend who can get you a job. But if you're reading this, you would have done that already if you could have.
Don't try to get by without doing the standard "best practice" stuff.
I spent a while thinking I could get away without making a customized resume for different jobs. I also thought I would probably have the right keywords naturally, and that I didn't have to worry about that either. WRONG. I wasted many weeks submitting poorly optimized resumes and getting few interviews.
What you should do is have at least one version of your resume customized for each job title you're applying to. That means if you're applying for Sr. Widget Fiddler and Director of Widget Fiddling, you need 2 versions.
Keyword optimize each resume version by copy-pasting 50+ job descriptions for that job's title into a tool like Voyant Tools, which will spit out all the most common words and phrases. Find the most frequent ones that seem important and relevant, and work them into your resume, even if it seems weird to refer to yourself as a "team player" or "entrepreneurial".
Don't be bad at interviewing, not even a little bit bad.
Being a good interviewee is a skill. Most of us aren't born with that skill, and most of us are rusty when it comes time to look for a job. I knew I wasn't great at interviewing, but I really didn't want to go through awkward practice interviews with friends, so I told myself people would understand why I was all nervous, and realize I was still super talented and experienced despite my 'rough edges'. WRONG. I blew it on a lot of interviews before admitting that I had to practice, a lot. I did a bunch of practice interviews, got feedback, and I even talked to an interview coach. The latter was expensive, but I think the dose of outside perspective really helped. YMMV.
I practiced enough that I started getting to final rounds instead of washing out in the first couple rounds. It made a huge difference. Practice.
Don't wing it during the interview.
For 'behavioral' questions (i.e. "tell me about a time when..." questions) everyone says you need to have multiple answers memorized for every major category of question. Ugh! So much work. Greatest weakness. Success story. Failure story. Conflict story. Collaboration story. YAWN. I thought I could come up with good answers on the spot. It's "supposed to be a conversation", right? WRONG. I blew it on a couple interviews before realizing I was coming across as both unprepared AND inexperienced.
Sit down and work out your bullet points for every answer, BEFORE you land an interview. Pain in the butt? Yes. But not as big a pain as getting an interview, blowing it, then ending up doing the work anyway.
Don't apply to old job listings.
If it's still up, they're still hiring, right? WRONG. I have found that job listings are good for about as long as fresh bread. You mostly want to apply the day they're posted, 2-3 days is OK, 5 days is pushing it, beyond that, it's literal trash. I started out applying to anything relevant that was less than a month old, and my app-to-interview yield was around 1%. Started applying to new listings exclusively, and my yield went to more like 3%. YMMV.
Don't apply to listings that aren't on the employer's own site.
It's become disturbingly common for 3rd-party sites to steal and re-post job listings they have nothing to do with. You click on a link on LinkedIn or Indeed, and you end up on Neuvoo or some random BS. Don't submit any of your info on those sites. Very often the jobs are expired already, but these 3rd-party scammers are still re-posting them to steal your info. Even if they're not expired, there's no reason to think they actually send your application to the employer.
If you land somewhere unexpected, go to the employer's actual careers section on their site and find the listing yourself. Otherwise you're just giving your info to someone to sell, and the employer probably never sees it. Please report these listings as you go.
Don't be too picky with job titles.
Unless your resume precisely "fits the profile" employers are looking for, you're going to have to apply a lot. I had to apply a lot. At first, I was exclusively applying to one title, because although I didn't "fit the profile" I didn't want to compromise. I ended up getting a really solid job with a different title, after I loosened my criteria JUST a tad.
Have a serious talk with yourself about how many months you're willing to apply before broadening your search, and don't talk yourself out of good jobs because they have the "wrong" title.
Don't be too loose with companies you apply to.
At a couple points in the process, I ended up with interviews at companies that I seriously didn't want to work for. I was playing the numbers game and I would apply to anything with the right title, even if I hadn't heard of the company. I figured if I got an interview, I would worry about the company later.
Difficulty: If you are on unemployment, this can lead to a sticky situation - if you turn down an offer, you legally can't collect unemployment anymore in many places. It's also pretty hard to justify to yourself turning down ANY interview if you actually need the money.
Have a loose idea of who the company is before applying, to avoid those awkward moments.
Don't stop applying until the ink is dry on your offer letter.
My advice is to apply to every suitable listing as soon as it's posted, which could be as many as 10-30 per day depending on your field and geography. If things are going well, you'll also have interviews going on during any given week, which also put heavy demands on your mental energy and prep time.
It is tempting to stop applying for jobs if you are doing multiple interviews and they seem to be going well. You need the time, and one of them has to work out, right? WRONG. It happened to me multiple times - I'd get further along in an interview process, I'd be focusing on prep, and I'd let my application routine slip. Bad idea. If your application pipeline runs dry, it can be another 2-6 weeks before the interviews start flowing again. ABA - always be applying.
Don't get your hopes up. (maybe the most important tip.)
Your mental resilience to rejection and your self-regard are finite resources. They are resources you need to conserve to maintain your overall mental health and good job-hunting habits. Job hunting can burn through these resources like Joe Exotic through a bag of meth. Don't be like me and get emotionally invested in any given job before you get an offer. Don't start picking out all the stuff you're going to buy with the new salary. Don't start thinking of what doors are going to open up for you with this step in your career. Don't mentally pick out outfits for your new commute. Just don't.
I consider myself a mentally tough person, so I should be able to handle the repeated rejection, right? WRONG. If you allow yourself to start caring about a job before you GET the job, you WILL be crushed to bits. Maybe not the first time, but after the 5th, or the 10th, it becomes hard to take.
To some of the newer job hunters I've seen on this sub: Caring about a job from the day you APPLY? Sheer lunacy. You shouldn't even remember where you applied by the time you go to bed that day.
Keep in mind: It's a numbers game. It's not personal. You WILL get the right job eventually, if you keep going. You have to maintain faith in yourself, but hold no hope for any particular job.
In emotional terms, treat it less like a poker game, (where any hand can be a big deal) more like a slot machine (where you care zero until you finally win). No matter how tough you think you are, take care to maintain your mental state, especially during COVID where so many aspects of life are also wearing down our mental health.
Don't be afraid to be a try-hard.
The role I finally got was based largely on a "take home project" used to demonstrate my working style. It was paid, also really long, the minimum suggested time was 10 hours. Usually I put 70% effort into trial projects, because I don't want to bust my ass for a throwaway, and I don't want to look desperate. My thinking is "Well, we're all professionals, so as long as I mention a few of the right things, they'll know we're on the same level, right?" WRONG.
On this one, I decided to go HAM on the project. All or nothing. I ended up putting over 20 hours into it, (the max time they suggested was 20) and came up with a total overkill amount of material, it was probably 20 pages worth, if not more. To give some idea, I spent like 4 hours just doing addressable market sizing, which everyone including me acknowledges is fairly pointless.
Part of the project was also to see how we communicate about our work - they put me on their company slack, so I logged onto it pretty much every day to update them on my progress. It was firmly in try-hard weirdo territory. But it worked!
So I guess my lesson from this is, if you're going to bother with these projects, be the one who turns in the blue ribbon material.
NB: Be aware of "free work" scams where they try to get you to do the actual job without hiring you for the job. If it's pertinent to the actual job and it's more than an hour or two of work, it should be paid. Unpaid trial projects that don't relate to the actual business are OK, but you'll have to decide for yourself how much time you're willing to put in for free.
Don't assume ***anything*** until it's final.
In 3 instances, I got much further than I expected in a hiring process, and in one I was blindsided by a rejection where I thought I was a shoo-in. #1, they interviewed me for the role (up to the final round) even though the job called for an actual engineer and I have zero engineering experience.
In #2, I blew an interview and got rejected. I knew exactly how I blew it, I got the yips and did poorly. So I sent an email reply explaining what I SHOULD have said, and that I really believed in the company's mission, and that I realize I was a poor interviewee, but I was working on it - they actually gave me another shot and I made it to the final round.
In the last unexpected twist story, they actually scheduled a final interview, then CANCELLED IT. I have been rejected for about a million jobs, but I've never been cancelled on. They said that instead of an interview, they would just review my trial project. I couldn't imagine cancelling an interview with someone you intend to hire, so I assumed this 'review' was just a consolation prize and the job was going to someone else. On the day the cancelled interview was meant to take place, they offered me the job. Huh???? Later that day I rode to heck on a flying pig and bought a snowcone there. But I also got a job.
On the other side of things, I was told directly I was the top candidate for a role, the only one who was really qualified, but because of COVID they were putting the role on hold. OK cool, I figured I was a shoo-in once they actually hired for it. Well, they re-listed the job about 45 days later. They didn't reach out to me. I messaged them. They told me I wasn't even going to get a phone screen for it. WTF? They lied to my face for no reason whatsoever? Yep. They did.
The lesson: Do not assume anything! ANYTHING!

I LOVE Enderal, but... oof, that ending though (Rant)

So, I finished Enderal over a week ago or so, and normally with stories I read/play/etc., that's it and I move on. Especially if they're upsetting or bothersome somehow (f.e. a book with dumb characters), most of the time I actually finish them, instead of setting them aside, because that helps me "close that chapter in my mind" so to speak or something. For some reason though, with Enderal that doesn't apply. I love the game, I love most of it's writing, characters, performances and so on, but the ending and where it left the story frustrates me more than it probably should, and it continues to do so for the past week. So maybe ranting about it will get it out of my system, and maybe you guys can enjoy, or agree, or disagree :D
**HEAVY SPOILER WARNING!!*\*

High-tech Mural Documentation

Remember Skyrim, where a traditionalist, medieval warrior clan decided to record history in a way that wouldn't get lost to time and language, so they made a giant mural? Neat, right? Now imagine you're an ancient race with unparalleled technology, advancement, magic, and a freakin Laputa soaring through the skies, and in order to record history for no-one but yourself... you made a giant mural.
I burst out laughing at that point. Still all fun and games though, I figured constraints in the development might've lead to a suboptimal solution there, just like the explanation for being home alone in Star City, instead of the ingame non-explanation we got, is probably that it would've been too much effort for the devs. The trouble started right afterwards however, when what's-her-name pulled the theory out of her ass that the high ones are creating a new high one. Source: Dude, trust me. I was bewildered.
Would it have been so hard to have the floaters in the final mural coalesce into a high one at the top? Could there have been some other basis for that conclusion instead? I dunno, but what was that? At that point I hoped someone would at least reinforce that later on, but it is literally never explained, or substantiated, and the characters literally go "WELL, we got no better idea, so let's go with this wild conjecture, it's fine!" (love you Arantheal)

The High One's deal

So there I was, hoping for the ending to clean some stuff up. Not EVERYTHING, I like a little mystery, theorycrafting, etc., but y'know, some consistency tying things together. First and foremost, why are the High Ones doing this shit? And what answer does the game ultimately shove down your throat? IT'S INEFFABLE! Not not an answer, an anti-answer. Urgh!
Doesn't stop one from wondering of course. Seems reasonable that the "first" civilisation built the first beacon intentionally to become the first High One intentionally, but literally none of the motivations for "reproducing" I could think of are in any way consistent with their behaviour in the game. Especially their seething contempt for the prophet and humanity in general. Some aspects of the story, or the cycle in particular, don't have to be explained. Like f.e. the Red Madness can be seen as a possible "necessity" to drive humanity into action in the first place. Or how the Black Stones corrupting their owners can be seen as a "necessity" to produce stories around them so that humanity can eventually know where to find them.
But when you can literally plant people like Coarek whereever you like, why bother with this game of the double-double-double-double-double-double-double-cross-cross-something-someting at all?
If the High Ones just left the Coarek-kinda-character out of their narrative entirely, we would've gathered the stones, lit the beacon, presto. And before you can say "But we would've needed the nUmiNOs!!", the first beacon obviously didn't have one, so humanity's glorious idea of slotting the "essence" (URHGH!!) of a High One in there must have come from the High Ones in the first place.
In PRINCIPLE, the concept of key points of fateful history repeating is cool, but why the repetition of things that aren't needed for the Cleansing? Why the catastrophy? Why false Gods? Why religion? For that matter, how does life even keep popping up in the same way over and over?

The whole Numinos-Word-of-the-dead-BS

"LISTEN UP people, this is the plan: Based on this baseless theory from this lady that just got introduced and immediately killed off, we're gonna go to a special place, to trigger a vision of another time, that, as far as we know this far, is only happening/perceivable for a single person, banking on there being a High One, although we have no proof, nor argument, that High Ones are actually necessarily present AT the Beacon AT the time of the Cleansing, where we'll use this McGuffin, that has previously been established to have no power to transport things in and out of minds (scroll), to enter the (surely harmless) mind of an immaterial being in that past, in the baseless hope to find something resembling that beings "essence", which hopefully is, in turn, material for some reason, and then pick up that essence thing, and take it with us out of this mind, OUT OF THE PAST, into the present with us, where we'll slot it into that machine and all will be well."
"I led them to the light, I alone" my ass

YUSLAN, C'mon man.

Ok, so a man who is sooo driven by revenge that he'd not only sacrifice his own life, not only the life of other people, but literally the lives of everyone everywhere, and to his knowledge, probably the lives of a few Cycles to come, including all the other happy wifes, and little girls and whatnot he can sympathize with to achieve it... is already a BIT of a stretch.
Ok, but so far my suspension of disbelief is only teetering on the window sill, so to speak. But you expect me to believe that THIS man, this YUSLAN is the same who just hours before was content to die in another reality?? To abbandon his brooding master plan years in the making just to get a whiff of a happiness that could've been, so much so that the prophet had to (literally had to) talk him out of it? Suspension of disbelief far over the ledge, crashing down.
AND THEN, to top it off you want me to buy that THIS MAN notices the prophet's Dreamflowers in full knowledge of what they can do, got them to do with as he pleases, and doesn't use them?? Fuck off. (No offense SureAI, I love you) Slam Dunk that S.o.D. into the concrete. If he was ready to give up everything for personal gratification 5 mintues ago, he sure as shit would be ready to do the same now. Not soooo driven after all.

Make up your damn mind, (veiled) woman!

Nothing about the veiled womans actions in THIS story is explained, ever. Just more mystery without substance. The Esme quest just fleshes out (ha!) who/what she is, it doesn't pertain to her motivations or actions at all. Why does she kill you and Sirius? Probably to set you up as the prime target to become the prophet of this cycle, but why you specifically? Why wouldn't the High Ones notice and refuse to play on her terms? Why does she play it off like reviving Jespar is a favor to the prophet, when in reality it's the only reason she's there in the first place? Why does she want the Cleansings to happen, but interferes regardless? Why does she save Calia, and tell her "You have no idea how special you are!", when in 50% of cases demongirl just dies in the Cleansing? She has no crucial role up to that point! Why would she come to your rescue in the end and set up your meeting with the Black Guardian, with you of all the prophets in particular, and with this cycle in particular?
There are only 3 possible consequences, either an end to the Cycle via Beacon/Numinos v2.0, end to the Cycle via reeducation of next humanity, or a continuation of the Cycle, ALL OF WHICH SHE COULD DAMN WELL DO HERSELF, AND ALL OF THEM MORE EASILY. What's so damn special? \crickets** Go play checkers with Gajus for all I care!

Black Blah Blah

When I was "hoping for the ending to clean some stuff up" a 30 minute exposition dump wasn't what I had in mind, but at least some stuff would've been cleaned up. Instead there are just more questions, more plotholes, no interesting questions to ask (like how all the Black Guardian's propositions conveniently fullfill the prophet's innate desire), and more non-answers.
Why let the prophet ask about the ancient starlings, if the answer you're gonna get is "no idea" anyway? The only real answer coming out of this is the mechanism by which the High Ones exert power over mankind, feeding of their character flaws, ego, and so on. But honestly that seems to have very little explanatory power to the previous gaps, and largely just serves as an avenue for the "reformation of mankind" strategy to become an option. Seemingly. If the High One's didn't have the power to amplify those negatives, but rather to "instill" them, what would really change story-wise except for one possible ending? Ah, and there was this other thing that was finally "explained"...

fLEshLeSs

Ah, so the prophet is fleshless. Except they have flesh, and they can be cut, and bleed, and die, and be in need of revival by some funky Norn on DMT... Oh, and they have this really strong desire that they pursue single-mindedly... Well, aside from days of sidequesting at the peril of existence, or romancing various red-flag-collectors, or gambling. And of course, they have this neat ability to access the memories of their previous incarnations for rapid gro-... oh wait, that was unique to being the prophet, not being fleshless. Hmmm... No wait, fleshless are special because they are merely projections by the high ones, that's why they simply cease to exist once they fulfilled their role in the... Fuck. (Looking at you, Gajus) AH, I GOT IT, they're immortal, yes, that's it. Why you ask? No idea. Just in case a prophet has to dig through 15 km of granit to get to a black stone or something I guess...
Seriously though, I was hyped by all the allusions building up to this, but being "dead" is of literally no consequence to the prophet whatsoever. No dilemma where destroying the High Ones would also destroy the emissaries (Fire Emblem Awakening, anyone?), no implanted memories responsible for their drive, no aspects of reality visible/invisible to them because they're dead, no threat of madness, or eternal solitude, or lack of "rest", or loss of some kind of afterlife. Just "spoooky aura", ooooooooh. The High Ones could just as well have revived you like the veiled woman did, or just amplified the desires of a living person, like they already do.
Like so many other things, it ultimately feels like somehthing "that would be cool" thought of in the beginning, stayed in during the process, but ultimately didn't find it's raison d'être in the final product.

"Echo" my ass

As a final, small nitpick: Literally the first time we experience the prophet's Echo, it undermines it's own logic. It happens in the Esme quest to a small extent, where for some reason the prophet can see the current timeline and the game pretty much alludes "yeah, we're not gonna bother explaining that one". But there at least we're seeing past events.
With the apothecarii at the start you literally see the future, unless you want me to believe 2 dudes in a previous cycle were miraculously also named Finn and Carbos and got blown up with identical dialogue... Just kinda irks me when the first time around your looking for answers and it goes: "Hm, I sometimes can see the future, what's that about?" "It's actually not the future, you can see the past!" "But it wasn-" "IT'S THE PAST!"

Let me just finally make it clear that as a whole, I love Enderal. I don't fault the devs and writers for this, I don't want to hate on the game, not even parts on it. I reckognize Enderal is an amazing, completely free experience, with probably thousands of voluntary workhours in it. I just needed to vent a little so I can stop mulling this stuff over in my head, and my best guess as to why it bothers me in the first place, is that I compare the conclusion to this epic ride to the EXCELLENT standard set by the rest of the game itself, it's writing, and it's characters (Black Stone Quests omg) Maybe you guys can get something out of this as well.
Let me know if you have any thoughts, or can patch up some things after all :)

Competitive Budget Deck Masterpost (January 2021)

i'm starting to feel like modern Yugioh is a clown car, and every time the banlist apprehends the first few clowns that lead the format, 4-5 more step out to take their place. we didn't even have Linkross in handcuffs yet before VFD took the wheel and Vanity's Ruler got into the passenger seat. happy new year

This post will give recommendations for decks that can generally do well while generally remaining in the $50 to $150 price range.

Estimated pricing includes a sample completed main deck and some or all of an extra deck, but no side.
Pricing is based mainly on singles and you can easily save a lot of money by buying cores for most of these lists all at once.
Decks were chosen usually based on having some degree of success in recent TCG formats.
- These deck choices and rankings are heavily based on online tournaments such as Konami's Remote Duel Invitationals, LCS, and other assorted online events.
- Performance on DuelingBook's ranked ladder also slightly factors in to the placement of these decks, with data taken from Ygoscope.
Many decklists will include some middle-range power cards that might drive the price point up, which can be cut for players on an extreme budget. For instance, a set of Ash is $25-30 currently, but Ash is included in many of these lists as a generic staple that players might already own.
Conversely, decklists are oftentimes easily upgraded by adding power cards such as Forbidden Droplet and Triple Tactics Talent.

Decks are grouped into four "tiers" and listed alphabetically by tier. Decklists are built prioritizing simplicity and effectiveness on a budget. Not all of them are perfect, but this post is not an F. Unless there is a particularly offensive deckbuilding error that you want to point out, please don't use this thread to nitpick at the sample decklists. Don't feel obligated to stick to the sample lists either; you should experiment and play cards that feel comfortable and/or optimal to you.
Feel free to leave suggestions for budget players, whether it's a budget tech choice for one of the decks on this list or whether it's a different deck that you think can compete in the coming months.
[Last updated: 23 Jan 2021]
Previous version: October 2020 Post

S Tier

The best bang for your buck. Decks in this category have the capacity to top premier events, though they're almost always supplemented with expensive power cards.

Drytron

Price: $100 Imgur | DuelingBook

New Ritual-based combo deck from Genesis Impact that has a lot of recursion from the Graveyard, boasting a strong grind game as well as potent turn 1 boards that can win the game outright.
The level 1 Drytron cards tribute other Drytron cards or Ritual cards in hand/field, so this deck abuses Cyber Angel Benten's lack of a once per turn clause to gain a ton of resources and search a lot of power LIGHT Fairy cards, such as Herald of Orange Light and Vanity's Ruler.
Drytron Nova is an automatic 3-of inclusion in every competitive version of this deck, but also currently sits at around $40 each in NA. Novas are a massive boost in consistency, though the deck is honestly still playable without it, and is quite cheap otherwise. With even one copy of Nova, you should look to also include three copies of Drytron Fafnir (their Field Spell) which can search Nova as well.
The absence of Nova + Fafnir from the main leaves a lot of space to be filled. There are many ways you can go about this.
- The sample list plays a small Pre-Prep engine with Herald of Perfection. It's very simple to play, especially if you're unfamiliar with the deck, and helps raise your overall ceiling - athough optimized competitive builds have generally moved away from Pre-Prep.
- Another viable Ritual engine is the Megalith engine, which provides numerous options. These variants generally also suffer from consistency issues, made worse by the lack of Novas in the budget version. Less consistent access to Alpha means less consistent usage of extra Ritual monsters.
- You could play cards that search Drytron monsters in an attempt to patch up consistency. Examples include Where Arf Thou, or normal summons that fetch Drytrons such as Cyber Dragon Core (getting Emergency) and Mathematician. Also viable is Neo-Spacian Aqua Dolphin, which is an interesting tech in Drytron that helps you beat handtraps like Droll & Lock Bird.
- Finally, you can always just play more handtraps or generic power cards.
This deck is a relatively new deck, and is getting support in Lightning Overdrive, which might indicate that it's relatively safe from the next banlist. However, there's no telling what Konami will do, so don't take my word as gospel.

Virtual World

Price: $150 Imgur | DuelingBook

Combo deck with an extra deck toolbox, using Synchro and Xyz monsters to break boards or to win the game with True King of All Calamities and their recurring boss monster, Shenshen. The Virtual World monsters have a shared restriction which means that Link monsters are usually not played in this deck at all.
Most of the main deck VW monsters can dump other VW cards from Deck to GY, and their continuous spell Qinglong is a searcher in the GY. Combined with Virtual World Mai-Hime - Lulu's ability to search for VW cards as well, the deck is consistent at doing the same combos and executing its gameplan almost every game, as most combinations of 2 Virtual World cards result in some type of combo.
Despite being one of the top decks in the format, this deck is also quite cheap. Staples aside, the most pricey card in the main is Lulu at around $18-20 each. Can you get away with fewer copies of her? Probably, but you really want to get 3 due to Desires, and her being one of the best cards in your deck.
Saw success immediately after PHRA release, even in the previous combo-infested format where Virtual World took the most representation and top cut spots at LCS 8, eventually winning the entire tournament. Post-banlist, they also took the most top cut spots and then won LCS 9, versus an entirely different playing field full of Zoodiac, Drytron, and Eldlich variants.
Recent combos using Chaofeng, Phantom of the Yang Zing to search either one of the Virtual World tuners (Lulu or Laolao) have opened up some new combo routes that make Foolish Burial Goods a lot more forgiving to play, allowing you to still end on impressive boards despite using Qinglong somewhat suboptimally. On the other hand, Chaofeng's price also spiked quite heavily after LCS 9, so you may not want to play it.
Non-budget players will first and foremost want to add Zeus to the Extra Deck, as it helps greatly with going second and also dealing with threats like Dragoon. Another common inclusion is Triple Tactics Talents, though this card is by no means mandatory in the deck, and has also seen a decline in popularity lately.

A Tier

Strong decks, but limited either by a lack of access to powerful staples or by the natural ceiling of the deck. You could still top a regional with one of these decks on a good day.

Altergeist

Price: $75+ Imgur | DuelingBook

Control + backrow deck with incredible recursion and the ability to come back from almost no resources
Altergeist have seen sparse success ever since FLOD, and are a respectable budget contender. They've have had a fairly modest showing online, and saw recent success with a top 8 finish at LCS 9. That deck was a Dogmatika variant piloted by Lars Junginger, playing the recently released Artemis, the Magistus Moon Maiden to make it slightly easier to summon Ecclesia in some hands.
The Dogmatika engine is viable even on a modest budget. It's possible to simply play Dogmatika Punishment as a powerful trap capable of utilizing your extra deck, and even a single copy of Ecclesia (around $20 each right now) goes a long way for improving the power of this package. Of course, the deck is also perfectly playable as pure Altergeist.
Budget players are most hurt by a lack of Pot of Extravagance, Infinite Impermanence, and Evenly Matched. The first three of these cards have reprints, but none are quite cheap enough yet to be easily accessible on a budget.
The extra deck is extremely flexible (as Altergeist are typically played with Extravagance, anyway) and several options are simply tech cards, such as Elder Entity N'tss.
Main deck trap choices are also extremely flexible. Torrential is quite powerful against Virtual World, but this could easily be swapped out for many other cards depending on your budget, available card pool, and locals demographics.
The release of Blazing Vortex in early February also brings along an incredibly powerful staple card in Pot of Prosperity. Altergeist, along with virtually every other deck that enjoys running Pot of Extravagance currently, will appreciate Prosperity as well. Many OCG decks are choosing to play both Extrav + Prosperity in their decklists. Of course, Prosperity is also a Secret Rare, and is virtually guaranteed to be around $100, so this is not applicable on a budget.

Prank-Kids

Price: $150 Imgur | DuelingBook

Floaty combo/control deck with 4 maindeck Prank-Kids that all float into any other Prank-Kid when used for a Link or Fusion summon
Got a great boost in Phantom Rage with Prank-Kids Meow-Meow-Mu, a Link 1 Prank-Kid monster that makes this deck incredibly consistent and turns any single Prank monster into full combo.
Prank-Kids Place is a little pricey, currently sitting at around $17 per copy in NA. While it contributes to your overall consistency (as it's equivalent to any Prank name), you can definitely get away with cutting copies of Place if your budget is tight.
Notably took 1st place at the Canadian Remote Duel Invitational in mid-January, piloted by Hanko Chow.
This deck appreciates the inclusion of Predaplant Verte Anaconda (currently over $30 apiece in NA) which can dump Thunder Dragon Fusion to help field Battle Butler, your main win condition. It was dropped from the provided list for budget reasons, but it's a great inclusion if you have a copy already. In conjunction with cards like Link Spider, it also improves your ability to play through disruption and through Nibiru.
This deck has many characteristics of a great deck, but suffers from similar problems as Zoodiac in that it struggles to play through disruption on your normal summon, or cards like Ash negating your first Prank-Kid effect. The inclusion of Polymerization in the main deck helps to combat this, but also popular are builds that don't play Poly at all and instead just load the main deck with handtraps and powerful staples like Forbidden Droplet.
Pot of Desires is included in this example main deck to help boost consistency and overall power, but some players opt not to run it.

Salamangreat

Price: $50+ Imgur | DuelingBook

Link-based midrange deck with a lot of recursion and a special in-archetype technique, where 1 Link Monster is used as the entire Link material to summon another copy of that monster, granting bonus effects
The deck is somewhat halfway between control and combo, establishing respectable boards turn 1 with a fairly compact engine, allowing many handtraps to be played. Their real strength comes in turn 3 and beyond, where their arsenal of free summons from the GY, coupled with their stellar resource recycling, easily overwhelm the opponent.
The majority of the deck is dirt cheap and is mostly able to be built with commons from SOFU+SAST supplementing 3 copies of Structure Deck: Soulburner.
Accesscode Talker is a huge part of this deck's success, able to steal games easily with the help of Update Jammer. Accesscode is not at all affordable on a budget, so the sample list plays Zeroboros instead. Owning one copy of Accesscode is a tremendous improvement to this deck's strength.
Salamangreat has found little competitive success in bigger online tournaments this format, but still regularly performs well in smaller events, remote duel locals, and the like. It's also a fairly safe choice, as it's somewhat unlikely we see further Salamangreat hits on the next banlist.
The provided list plays Rivalry + Strike, a potent option allowing you to sometimes win games even into established boards. Strike is quite solid in the current format, as even the combo decks don't usually end on ways to punish a lot of set backrow.
Parallel eXceed is an optional card, and can be cut in favor of more backrow or handtraps. On one hand, it allows you to more easily link climb when going second, and can easily add a Dweller or Bagooska to your board going first (Dweller is very good right now, as well). On the other hand, players may prefer to run more defensive cards instead of eXceed.

Subterror

Price: $100+ Imgur | DuelingBook

Subterrors are a control deck with a focus on flipping monsters face-down and generating constant advantage with Subterror Guru.
Pure Guru control is the most played variant, and is more or less a stun deck that tries to abuse Guru as much as possible. While most Guru lists online are Numeron and/or Dragoon hybrids, the pure version saw some success earlier this format at the Benelux Remote Duel Extravaganza, finishing top 4. You can watch that deck profile here, and the sample list is generally based off of that list.
- While Dragoon isn't budget-friendly, the Numeron engine is very accessible for little cost, and is a viable variant of this deck as well. Numeron cards aim to make Number S0: Utopic ZEXAL going first or simply OTK going second. S0 is an extremely powerful card that can prevent the opponent from playing the game entirely if it resolves. If you are interested in this version, you can check the Subterror list on the previous budget post.
The sample list doesn't have a complete extra deck, mainly because it doesn't play Extravagance and you barely go into the Extra Deck to begin with. Relinquished Anima is a decent option if you can shell out the $7-8 for it, since sometimes you can turn Fiendess into Anima. Apart from that, provided Extra Deck options include anti-Maximus cards for the Dogmatika matchup, and Aussa + Zoodiac Drident in case you face a Zoodiac player. Taking their Zoo monster and then slapping your Drident on top can be potent.
This deck usually plays Extravagance over Desires, but Desires is quite a serviceable replacement. Similarly to Altergeist, this deck also enjoys Pot of Prosperity post-BLVO.

B Tier

Like the above category, but generally weaker, less consistent, and/or impacted harder by a lack of access to a certain card(s).

Dinosaurs

Price: $100+ Imgur | DuelingBook

Dinosaurs are an aggressive deck with consistent access to Evolzar Laggia/Dolkka and Ultimate Conductor Tyranno, a formidable boss monster with incredible OTK power and disruption.
Dinosaur's strength tends to be largely meta-dependent, particularly how well it can counter the existing top decks. During the previous two combo-infested formats with decks like Dragon Link and Adamancipator running around, Dinos had several extremely impressive showing at events, such as TeamSamuraiX1's win at the first NA Remote Duel Invitational, as well as all three first-place players at LCS 7 (a 3v3 event) playing Dino.
In the current format, Dinosaurs are struggling. The Virtual World matchup is difficult, and it's hard for Dinosaur to build to beat all of VW, Drytron, Eldlich variants, and the plethora of rogue decks running around. Additionally, Mystic Mine is not very potent this format as both Virtual World and Eldlich have in-engine outs to the card, which is another blow to the Dinosaur strategy. Finally, the popularity of handtraps like Skull Meister and Artifact Lancea in the side or even the main deck are also reasons this deck has declined.
The provided variant still plays Mine, as it has utility breaking boards. Deckout is a much less reliable strategy against VW and Eldlich, but you can still stall for some turns until you can make a push for game. The addition of Cosmic Cyclone is also an attempt at neutering cards like Chuche and Conquistador.
If you wanted to build this deck without Mines, you would have to find replacements for quite a few cards (and frankly, Dinosaur does not have very many good ones). Most power staples are not budget, such as Lightning Storm, Talents, Droplet, etc. This deck also really appreciates Pot of Extravagance, which still sits barely out of budget range at around $25 each in NA.
Budget Dino must also deal with the lack of Animadorned Archosaur, an extremely powerful addition to the deck that opens up many new combos. However, sitting at around $60 per copy, the card is inaccessible on a budget.
The provided list plays the Simorgh combo, bringing out the WIND barrier statue on turn 1 to steal games. Though a full extra deck is provided, very few cards are actually needed, as the deck typically plays Extravagance anyway.

Dragon Link

Price: $100-150+ (depending on Extra Deck) Imgur | DuelingBook

Dragon Link is a Link-centric combo deck that was a dominant force in the meta for about half a year, but lost a lot of resilience and power with the recent bans to Linkross and Dragon Buster Destruction Sword.
The provided budget version of this deck actually has a ton of extra deck flexibility due to not needing to play Synchro/Link cards related to the Halq/Kross package, meaning that you can play Knightmares, anti-Dogmatika cards, etc. This also means that the budget version doesn't actually care about the Linkross ban at all.
This deck has seen a great deal of variation online, playing a variety of different engines and tech cards. A few of these include Vylon Cube + Smoke Grenade, the Rose Dragons, several different Dragonmaid cards, and even an FTK variant involving Earthbound Immortal Aslla piscu. However, few of these are viable for budget players, especially if you do not own a copy of Halqifibrax.
An interesting option the deck has is to use Union Carrier to equip handtraps such as Artifact Lancea. On the opponent's turn, Hieratic Seal can be used to return the handtrap to your hand, making it live immediately. This is something you may want to consider in the main deck if you frequently have to deal with decks like Virtual World and Dinosaur. Another option is to equip Ally of Justice Cycle Reader to Carrier (they're both machines) and then bounce it to hand, as a weapon against Drytron. Carrier isn't in the example list, but this is a really interesting option to consider.
With Linkross out of the picture, playing Fibrax alone is an option if you either already own a copy or can afford the $20 needed to obtain one. You may have to retool your combos to incorporate Fiber, but the card can definitely add flexibility and resilience to your deck if you use it well.

Paleozoic Frogs

Price: $50+ Imgur | DuelingBook

Backrow-heavy control deck that summons its Traps to the field as monsters and pressures the opponent with Toadally Awesome
After being absent from the budget post for about a year, Paleo makes its triumphant return as its boss monster, Toad, returns to 3. Toad's reprint in Maximum Gold also brought this card down from $20 each to just a few bucks, making the entire deck extremely cheap.
As a control deck, Paleo suffers from more weaknesses compared to Eldlich, Altergeist, and Subterror. Notably, the engine tends to bleed advantage unless you've managed to maintain access to Swap Frog, and you can be quickly outpaced by stronger decks. However, in games where you can establish a Toad early, or where you can maintain control with your backrow, you can do quite well.
Paleo saw a surprising amount of success in various remote duel events this format, though some of that success is likely due to the format being unexplored and some sort of "new toy syndrome" as Toad recently went from 2 to 3.
Paleo struggles to out Dragoon, especially without access to Ice Dragon's Prison, a $40 card. An interesting option catching on in the meta lately is the use of Mirror Force cards, particularly Quaking and Storming, as they both pressure Dragoon. Still, the card puts quite a lot of pressure on this deck.
Speaking of Dragoon, some Paleo players opt to play that package in this deck as well. Swap Frog is a one card Dragoon as you can simply dump Ronin, turn Swap into Almiraj, and then revive Ronin to make Verte from there.
Fiend Griefing is presented as an interesting option which is very decent in the current meta, particularly vs Drytron. Combining it with Absolute King Back Jack is a classic combo that Paleo played a long time ago in 2017, during early Zoo formats.

Shaddoll (Magistus)

Price: $100+, can be closer to $50 with fewer copies of Schism Imgur | DuelingBook

Classic Fusion-based archetype from 2014, debuting in Duelist Alliance. Somewhat of a midrange combo deck that can slow the game down with El Shaddoll Winda or be very aggressive with El Shaddoll Construct
Winda is a troublesome floodgate that many decks struggle to out, especially combo decks such as Drytron. Shaddoll cards are currently played in several Dogmatika variants due to the sheer power of Winda and the utility of Shaddoll Schism.
The current meta is favorable for Shaddoll not only due to Winda being effective vs Drytron, but also due to Ariel being very strong against a large chunk of the format, including Eldlich variants. Her ability to banish 3 cards from the GY is so strong that some decks are splashing in Sinister Shadow Games + Ariel just for that option, which we saw played in some of the 60-card Eldlich decks at LCS 9.
- The growing popularity of Shaddoll cards has also caused Shaddoll Schism to go up in price substantially. Currently, it's around $17, but it may continue to rise.
The deck's biggest problem has always been its inability to consistently resolve a fusion spell on turn 1. Invoked Shaddoll was a popular hybrid in earlier formats, but with the release of the Magistus archetype in GEIM, Shaddolls got access to Rilliona and Magistus Invocation. This is an improvement since Magistus Invocation can fuse from hand and field whereas the regular Invocation can only fuse from hand when summoning Shaddolls. Additionally, Artemis provides a super convenient way for the deck to turn any Shaddoll into a LIGHT monster, which is important for summoning Construct.
While the full Dogmatika package is very expensive due to Nadir Servant being a $75 card, one option is to play just one copy of Ecclesia (around $20) along with Maximus and a playset of Dogmatika Punishment. Maximus and Punishment have a ton of synergy in the Shaddoll deck in conjunction with Apkallone's GY effect, and this combination is deadly even on a budget.
Other normal summons such as Mathematician and even Gale Dogra are potent on this deck, and can be played in addition to Rilliona or as a replacement for her. Yet another option is to run 1 copy of the now-cheap Eldlich the Golden Lord as a LIGHT monster for Shaddoll Fusion that can easily revive itself.
Another popular variant is a very trap-heavy list, sometimes cutting the Magistus cards entirely. PAK and SirEmanon's YouTube channels both have their own takes on this, if you're interested.

Unchained

Price: $50+ Imgur | DuelingBook

Floaty destruction-based archetype that generates advantage when its cards are destroyed, enabling its gimmick of using your opponent's monsters to Link Summon.
Can be built to go first or to go second quite effectively. Since going second is very difficult this format, the provided list aims to go first, playing a bunch of trap cards.
Fairly modest online performance, doing alright at smaller events and more recently finishing top 8 at the second YuGiJoe online series as well as occasional Luxury events. After the December banlist, Unchained has rapidly gained popularity in online remote duel events, and is one of the more prominent rogue decks this format. This success could be because the format is generally slower compared to previous ones, and many destruction-based cards such as Torrential Tribute are very popular currently, which this deck enjoys.
Mega-Tin reprints of Abomination's Prison as well as their Link 2 have helped make this deck a great deal more affordable. I:P Masquerena being more affordable is also a nice boost, though it's by no means essential in this deck.
This deck's best weapon is its opponents being unprepared for it. Playing improperly into backrow or Unchained floats can very quickly be fatal. It also matches up decently into some backrow decks as well as Dogmatika variants, which rely on destruction-based removal from Dogmatika Punishment and Elder Entity N'tss.

C Tier

Decks in this category have the capability to be just as good as the ones above at times, but often tend to suffer from multiple problems including consistency and power.

Burning Abyss

Price: $100+ Imgur | DuelingBook

Versatile control-based Graveyard toolbox deck that has been swinging in and out of meta relevance since its release way back in 2014.
Gradually got more and more cards back from the banlist, with Cir and Graff being unlimited on the December 2020 list. The deck is now more or less "full power" with the exception of Beatrice, who is still limited.
The deck aims to establish Beatrice on turn 1 backed up with trap cards. The BA cards as well as Beatrice are extremely floaty, so this deck can put up quite a fight in grind games. Fiend Griefing is a solid card in the current meta, and is excellent in the Burning Abyss deck as you can send Farfa for further disruption, Graff/Scarm for followup, or Back Jack for more traps.
This deck was frequently mixed with Phantom Knight cards back in 2016 (often called PK Fire). Nowadays, Phantom Knight decks are typically either built pure or with an extremely compact BA engine. While it's possible to play a more dedicated hybrid build, the release of PK Torn Scales combined with most key BA cards being unlimited means that it's just better to focus on one or the other.
Many other options are playable - Desires for draw power, playing more traps, more handtraps, etc. Consider Needle Ceiling over Torrential as it can be harder to pull off, but combos better with Trap Trick. Players with access to Ice Dragon's Prison should play it, and adventurous duelists can even opt to play Fire Lake of the Burning Abyss.
As a deck easily capable of churning out Rank 3 Xyzs, you also have easy access to Divine Arsenal AA-ZEUS Sky Thunder, one of the most powerful extra deck cards in the format. If this is an accessible option, it should be played.

Sky Striker

Price: $100+ Imgur | DuelingBook

Spell-heavy control deck that usually maintains only one monster on the field at a time, in the extra monster zone.
Formerly an extremely dominant control deck, modern-day Striker no longer accrues infinite resources through resolving Engage multiple times, but instead is easily able to kill you with an Accesscode Talker push after whittling down your LP and resources for a turn or two. The standard combo involves laddering from Halqifibrax -> Selene -> Accesscode and then dismantling your opponent's board before swinging for game.
You may have noticed a problem: if you're on a budget, you can't use Accesscode. This is a pretty big blow to the deck's overall strength. Some players opt for alternatives such as the Utopia Double package, which Zoé Weber played in the second EU Remote Duel Invitational last format. Another option is to simply not run it at all, and close games the old-fashioned way.
In previous formats, this deck was oftentimes played like an anti-meta going second deck, packing tons of removal cards and usually 3 copies of Mystic Mine in the main deck. In the current format, this strategy is a lot more difficult due to several factors - it's very hard to go second this format in general, and Mine is a lot less effective vs the top decks right now.
Instead, the sample list plays a going-first strategy with powerful trap cards like There Can Be Only One and Solemn Strike. It's possible to build this deck to go second, but you'd probably want to play board breakers instead of trap cards, and potentially also maindeck PSY-Framegear Gamma.
Yet another way to play this deck involves (surprise) Red-Eyes Dark Dragoon and multiple copies of Red-Eyes Fusion. Instead of using cards like Widow Anchor and Afterburners to muscle through disruption and stick a Mystic Mine on the field, you use them to get to your Dragoon and either win the game immediately or put yourself in a position where your opponent can't play through the Dragoon disrupt.
Roze is the most expensive card in this list. If your budget is tight, you can definitely cut her down to 1.

Zoodiac

Price: $100+ Imgur | DuelingBook

Xyz-focused deck with a gimmick allowing you to use any one Zoodiac as the entire Xyz material requirement for another Zoodiac. This lets you stack Zoo Xyz monsters on top of each other, making use of their effects.
Plays a compact engine combined with around 20 slots dedicated to handtraps, traps, and draw power. This deck is also commonly played as a hybrid deck, oftentimes with Eldlich and sometimes with Dogmatika cards. Both of these options are quite expensive, so they are not shown.
The deck's strength in competitive play comes almost entirely from Divine Arsenal AA-ZEUS Sky Thunder, an extremely powerful Xyz monster that Zoodiac can effortlessly make due to Zoodiac Boarbow. Zoo is also easily able to summon Zeus with many materials, allowing it to repeatedly nuke the board.
Budget Zoo without Zeus is extremely weak by comparison. Relying solely on Drident + handtraps is not a reliable win condition, so cards like Parallel eXceed and Pot of Avarice are included in the sample list to give this deck a boost. While Megaclops is a troublesome boss monster in some matchups, the big three decks (Drytron, Virtual World, and Eldlich) generally don't have much trouble dealing with it.
Even with Zeus, the deck has been struggling in the current competitive meta. Noteworthy is its performance at LCS 9, where out of a whopping 51 Zoodiac variants that entered the tournament, only 1 survived until top 16.

Up-And-Coming

Decks to watch out for, oftentimes due to recent online success or new support being announced. Some might also be decks that could potentially be on the main body of the post, but need a little more time to prove themselves.

Tri-Brigade

Price: $100 (for now) Imgur | DuelingBook

Link-focused deck that plays a variety of Beast, Beast-Warrior, and Winged Beast monsters. The maindeck Tri-Brigades cheat out powerful Link monsters, provided your GY is set up. This deck also trivially access the Simorgh link, which can sometimes seal games on its own through the WIND Barrier Statue.
In the current format, Tri-Brigade has seen fairly sparse success, usually mixed with Zoodiac. However, BLVO gives us Tri-Brigade Kitt, a great boost to this deck and a fantastic combo piece.
Further support in LIOV and beyond is also very promising, making this deck a potentially solid investment for the future.
The Tri-Brigade core is currently quite cheap, but this could change in the future depending on hype and the market.
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Traptrix

Price: $100-150 Imgur | DuelingBook

Control deck with an extremely powerful Link 1 monster, Traptrix Sera, that pumps out constant advantage.
The sample list incorporates a very small Dogmatika engine. Dogmatika Punishment itself is very cheap, and is one of the best generic traps in the game right now. Just 1 copy of Ecclesia (around $20) provides a substantial power boost to this mini-engine, as dumping one copy of Titaniklad with Punishment and grabbing an Ecclesia for next turn is extremely powerful. Another option is to dump El Shaddoll Apkallone, then adding and discarding Ariel in order to trigger her effect and banish 3 cards, which is insane value.
If you can't get Ecclesia, you could simply play just Punishment as a generic trap. Another option is to play pure Traptrix, incorporating more power traps/handtraps, and quite frequently the Utopia Double package as well.
This deck is definitely still getting support, as LIOV brings a new Link 2 and main deck monster.

Plunder Patroll

Price: $100+ Imgur | DuelingBook

Pirate archetype with ridiculous recursion and a unique tag-out and equip mechanic based on Attributes being used in the game.
The pirates become equips for one of (currently) three Patrollships, extra deck monsters that can all discard Plunder Patroll cards in hand to fuel powerful effects. The ships become stronger when manned (equipped with) a Plunder card, with bonuses such as ignition effects becoming quick effects, or being able to replace the discarded card with a new one from the deck.
Many Plunder lists play Forbidden Droplet, as it has great synergy with the cards. Without Droplet, you could fill the space with several different options. This deck chooses to play the Undine package, but you can also go for cards like Foolish Burial Goods, Salvage, Silent Angler, Tenyi Spirit - Shthana, Toadally Awesome + Bahamut Shark, or just more generic staples.
This deck is getting at least one more support card in LIOV, that being Ravenwing. Many people speculate that they'll also get another Patrollship of a new attribute, which would be a huge buff to the deck.

Honorable Mentions

Megalith, Madolche, Pendulum decks, Cyber Dragon, Orcust, Mermail Atlantean, Magical Musketeers, Crusadia (Guardragon), ABC, D/D, Generaider, and more - Decks that are fairly decent but have been left off of the post to make room for other decks that have seen more recent success or have fewer budget resources online.
Dragonmaid, Eldlich, Infernoid, Invoked variants, HERO, etc - Decks that are pretty good but are sorta in limbo due to some expensive individual cards, such as Chamber Dragonmaid, Cursed Eldland, Invocation, etc.
Cubics, Phantasm, Chain Burn, Evilswarm, Yosenju, Dinomist, and much, much more - Unfortunately, there is not enough room to cover every single decent, super-cheap deck.

I hope to keep this post updated for the foreseeable future. Feel free to leave any comments or suggestions.

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Competitive Budget Deck Masterpost (January 2021)

S Tier

A Tier

B Tier

C Tier

Up-And-Coming

Honorable Mentions

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